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Thứ Tư, 17 tháng 4, 2013

Sapphires hit the high notes in US

The Sapphires

The cast of The Sapphires. Source: Supplied

THE Sapphires has spent its second weekend in the Top 20 at the US box office.

The Australian movie success story of last year – grossing $14.4 million locally – opened a month ago on just four screens in New York and Los Angeles. It has now expanded to more cities across the country to fill 93 screens, up from 60 the previous weekend.

It is sitting at No.20 in the US after a $241,272 weekend, for a total gross of $760,149.

Its average of $2594, while not huge, places it among the best 10 per-screen performers in the Top 20.

The movie musical – about four Aboriginal soul singers who connect with an Irish manager (Chris O’Dowd) and fly to Vietnam to entertain the troops – has been well reviewed by US publications including Rolling Stone, who rated it three stars.

“You could call it an Aussie Dreamgirls. I’d call it a blast of joy and music that struts right into your heart,” reviewer Peter Travers declared. He added that Aussie star Deborah Mailman “is to die for” and praised O’Dowd’s emotional performance: “Prepare to be wowed by O’Dowd.”

Entertainment Weekly gave The Sapphires a B+, likening it to The Commitments and calling the movie “irresistible if unpolished”.

The New York Times called it “bouncy, spirited entertainment” and said viewers’ hearts would have to be “a lump of gristle to resist it.” The reviewer put the appeal down to the personalities of The Sapphires themselves – as played by Mailman, Jessica Mauboy, Shari Sebbens and Miranda Tapsell.The Sapphires has been released in the US by The Weinstein Company, the masters of marketing niche movies in North America.
 


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Thứ Năm, 21 tháng 3, 2013

Bee Gees to hit high notes forever

Bee Gees

The Bee Gees - Robin, Barry and Maurice - with their Grammy for album of year for Saturday Night Fever. Source: News Limited

THE sound of the Bee Gee's singing Saturday Night Fever will be preserved forever, thanks to the US Government.

The soundtrack to the popular 1977 movie Saturday Night Fever, starring John Travolta and featuring the Bee Gees, revived the disco craze.

That album, Simon and Garfunkel's The Sound of Silence and Chubby Checker's 1960s dance hit The Twist are among 25 recordings selected for preservation today at the Library of Congress.

These are just a few sounds of the 20th century being added to the National Recording Registry for long-term preservation due to their cultural, artistic and historic importance. The library said Checker's rendition of The Twist became a symbol for the energy and excitement of the early 60s after American Bandstand host Dick Clark chose Checker to record a new version of the song.

Later, the 1966 album Sounds of Silence by Paul Simon and Art Garfunkel was a hit in its day but not before the duo struggled and split early on. Their song The Sound of Silence from the aftermath of President John F. Kennedy's assassination 50 years ago this year had initially flopped - but it became a hit after it was re-edited as a single. That prompted the duo to reunite and quickly record another album under a similar title.

Garfunkel, 71, said he's thrilled and flattered to have his work preserved in the Library of Congress. He said the hit album was a life changer for him and Simon. "Da da dee, da dee, da dee," he sang in an interview.

"There's something fundamentally appealing about the simplicity of those lines," Garfunkel said.

"When you look at the little mesh, wire microphone ... and you address people on the other side of the mic, you hope that your performance will be special, and you hope that it will have lasting power," he said, adding that he remembers thinking in the 60s that "if we do really good and give a very special performance to these great Paul Simon songs, we might last right into the next century and be appreciated."

Their words and their tune have taken on special significance in American culture. Hearing Simon sing The Sound of Silence on the 10th anniversary of the 9/11 attacks, NBC newsman Tom Brokaw briefly struggled for composure. The music, he said, evokes memories.

This is the kind of impact the library was looking to preserve, "to celebrate the richness and variety of our audio heritage," said Librarian of Congress James Billington in announcing the selections.

The recording that received the highest number of public nominations for this year's registry was Pink Floyd's The Dark Side of the Moon. The library said it was notable as an example of "brilliant, innovative production in service of the music".

The selections span from 1918 to 1980 and represent nearly every musical and recording category.

Recordings by Will Rogers, Jimmie Davis and President Dwight D. Eisenhower capture part of the political climate of their eras. In 1931, Rogers' radio broadcast at a low point in the Great Depression included a folksy chat with President Herbert Hoover to kick off a nationwide unemployment relief campaign. Davis' 1940 recording of You Are My Sunshine became his election campaign theme song while running for governor of Louisiana. It became one of the most popular country songs of all time and the state song of Louisiana in 1977.

Eisenhower's voice was carried in a pre-recorded message in 1958 carried by the first communications satellite launched on a US rocket. Eisenhower's message of peace to the world transmitted from space was touted as a victory in the space race after the Soviet Union launched a satellite the year before.

Van Cliburn's Cold War piano performance in Moscow when he won the prestigious Tchaikovsky International Piano Competition at 23 also was selected. At the time in 1958, Time magazine noted his appearance and tour of the Soviet Union "has had more favourable impact on more Russians than any US export of word or deed since World War II".

Earlier this year, the Library of Congress unveiled an extensive plan to help libraries and archives nationwide preserve recorded sound to guard against losing historic recordings. It's proposing 32 recommendations to Congress on actions to preserve endangered audio.

For his part, Garfunkel said he's still working, writing poems, putting together a book and singing. He said he's working to regain his voice after having vocal troubles. And he said he's ramping up to get back to the stage and wouldn't rule out a reunion with Simon when the time is right.

"Who knows what the future brings?" Garfunkel said. "This is my old buddy, the first friend I made in life."


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Thứ Hai, 18 tháng 3, 2013

Goddess hits all the right notes

Goddess

Enthusiastic: Laura Michelle Kelly. Source: Supplied

MOVIE REVIEW: This chirpy little Australian-made feelgood affair goes quite well in its own happily unpretentious way.

The crucial need-to-know for most intrepid film goers will be the unavoidable fact Goddess is a musical. An original musical at that, chock full of tunes your ears have never heard before.

While I'm no card-carrying fan of musicals myself, I can honestly report Goddess should not be dismissed just because its lead character has the potentially annoying habit of suddenly breaking into song.

To the film's credit, its accessible plot has a very relevant reason for all the wanton warbling.

What's more, the songs themselves are actually quite catchy - if middle-of-the-road pop a la Mamma Mia! is your thing.

British import Laura Michelle Kelly stars as Elspeth, a housewife in rural Tasmania who finds fame and fortune when her video blog goes viral.

With her husband (Ronan Keating) often away working in Antarctica, Elspeth (an aspiring singer-songwriter in her youth) kills all that spare time performing her own compositions to a webcam stationed in her kitchen.

Elspeth's ditties are generally jaunty, genial grizzles about cleaning house and rearing kids, which soon has the whole world logging on and nodding knowingly in unison.

The Elspeth phenomenon soon gets the attention of a cynical Sydney advertising guru (Magda Szubanski), who whisks her up to Sin City to become the face of a new lady-friendly campaign of some sort.

As daft as the premise proves to be, this likeably lightweight movie never works its way out of the viewer's good graces.

The key is the sheer infectious enthusiasm Kelly brings to her role. Though the supporting ranks are packed with corny turns, she does not allow the real warmth and sincerity of her performance to subside for a moment.

--

Goddess [PG]

Rating: 3/5

Director: Mark Lamprell (My Mother Frank)

Starring: Laura Michelle Kelly, Ronan Keating, Magda Szubanski, Dustin Clare

"Vocal, viral, very nice"


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Thứ Tư, 13 tháng 3, 2013

Goddess hits all the right notes

Goddess

Enthusiastic: Laura Michelle Kelly. Source: Supplied

MOVIE REVIEW: This chirpy little Australian-made feelgood affair goes quite well in its own happily unpretentious way.

The crucial need-to-know for most intrepid film goers will be the unavoidable fact Goddess is a musical. An original musical at that, chock full of tunes your ears have never heard before.

While I'm no card-carrying fan of musicals myself, I can honestly report Goddess should not be dismissed just because its lead character has the potentially annoying habit of suddenly breaking into song.

To the film's credit, its accessible plot has a very relevant reason for all the wanton warbling.

What's more, the songs themselves are actually quite catchy - if middle-of-the-road pop a la Mamma Mia! is your thing.

British import Laura Michelle Kelly stars as Elspeth, a housewife in rural Tasmania who finds fame and fortune when her video blog goes viral.

With her husband (Ronan Keating) often away working in Antarctica, Elspeth (an aspiring singer-songwriter in her youth) kills all that spare time performing her own compositions to a webcam stationed in her kitchen.

Elspeth's ditties are generally jaunty, genial grizzles about cleaning house and rearing kids, which soon has the whole world logging on and nodding knowingly in unison.

The Elspeth phenomenon soon gets the attention of a cynical Sydney advertising guru (Magda Szubanski), who whisks her up to Sin City to become the face of a new lady-friendly campaign of some sort.

As daft as the premise proves to be, this likeably lightweight movie never works its way out of the viewer's good graces.

The key is the sheer infectious enthusiasm Kelly brings to her role. Though the supporting ranks are packed with corny turns, she does not allow the real warmth and sincerity of her performance to subside for a moment.

--

Goddess [PG]

Rating: 3/5

Director: Mark Lamprell (My Mother Frank)

Starring: Laura Michelle Kelly, Ronan Keating, Magda Szubanski, Dustin Clare

"Vocal, viral, very nice"


View the original article here